Work of the

Work of the Tower and other interventions (1516-1600) At the end of 1513 the sale was another building located between the Palace of the Generalitat and the alley that separated the house from the City. Some years later he bought another house next door, which completed the space now occupied by the tower. The construction work began by Joan and Joan Man ano Corbera, with the collaboration of sculptors like Jordi Llobet and Luis Mony and gilders as Pere Mart property Eiximenis Bustamante. property management He got the ground floor and mezzanine of the two studies, known then as ‘great daurada room “and” xica daurada room’, which were covered before 1520. Continuing in the tradition of his family has been able to reap success by changing the tried and true traditional strategies of selling real estate. The conflict of the Germanies (1520-1524) marked a period of inactivity in the works, which were not resumed until 1533. From this date will be in charge of the works the priest and master builder Moss n Joan Baptista Corbera Corbera Joan’s son.The masonry shall be borne by Joan Navarro, also made the decoration of the coffered ceiling realty of the two studies, excellent work conducted by the carpenter carving Gen s Llinares Orihuela. real commercial On the two studies homes for sale continue building the “Sala Nova” for Corbera Moss in 1538 would make seven windows framed by a perimeter trim and topped by pediments avenerados, similar to the palace courtyard Ambassador Vich. On these windows be built as many smaller, square and fully decorated Renaissance, influenced by Serlio’s treatise. real sale At the end of 1540 is responsible for conducting Gen s Llinares the roof of this great hall, corridor or gallery with a perimeter that evokes the Throne Room of the palace of the Catholic Monarchs in the Aljaferia of Zaragoza. The real listings prominent presence of candle-shaped columns of the treaty reveals the influence of Diego de Sagredo, published in 1526, apart from the sculptural tradition of early Renaissance Castilian.A Llinares death in 1543 were his sons, Pere Mart Llinares and Blasco, who would take charge of continuing the work, completing it, between 1562 and 1565, the carpenter and sculptor Caspar also Gregori. For the family members is attributed Llinares Gregori and the rich decoration of carving and wood panels with scenes that are scattered all over the deck. On the “Chamber Nova” was built a porch and a flat roof with parapet, which are dismounted some years later, when the teacher in real property charge of the works Joan Vergara. In realtors 1568 be made the important baseboards and the floor with Manises ceramics, prepared by Joan Elies designs as “the painter Joannes” John Jones surely. In 1572 he recruited the teacher Hernando de Santiago, a newcomer to the city and knows the new models being introduced in the factories of Seville. After 1575 would be Juan de Villalba, from Talavera, who continue conducting ceramic decorations for the building.In 1574 real agent he decides to have a “stall” house for sale the completion of construction of realtor the tower, as is dragging too, naming master carpenter Gaspar Gregori “architector” to direct and manage the work being done in the building . Gregori is author of the traces and molds, with technical advice from Miquel Porcar mason who physically execute the real residential work with his crew. The top of the tower, of a purely Renaissance, is inspired by the blades of the treaty of Serlio and presents a new body of square windows, cornice, attic and classical balustrade and pinnacles topped with balls. It also added iron balcony ledge on the perimeter is under the attic, by Joan and Josep Monseu Armaholea and a much more developed, implemented by Baptista pigs, the “Sala Nova” in the corner of Calle Knights.Some years later the sculptor Joan Baptista April Mari and made the cover communicating the “Chapel” and “Nova Chamber” (1590), following the tracks provided in 1584 by Pere de Gorssari, although some modifications based on Vignola’s treatise in the face gives onto the ‘Nova Chamber. In 1591, after real buying submission to consultation realestate among the foremost painters of the kingdom will be decided by paintings decorate the walls of this room with group portraits of the deputies, painted in vivo work to be carried out under the direction of John Sari ena.Given the magnitude of the work, which included the Generalitat, also called the site, the three estates, ecclesiastical, royal and military representatives of the Royal Villas and Royal Arm counters were called to assist other artists, including Vicente Mestre Sebastian Zaidi, Requena Vincent Young properties who took over the ecclesiastical establishment on Sari ena design, and Italian Francisco Posso, to whom we owe the military, John Sari ena reserving the site and the Real Estates.

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