Alain Viala writes down that ‘ ‘ the phenomenon of the clientele is banal in century XVII and in redor of rich and powerful personages, individuals or groups congregate themselves that if place its service in exchange for diverse vantagens’ ‘ (LAJOLO, Marisa? ZILBERMAN? Regina, 2001, p.34). This courageous, roubadora infant of books and charmer of the Death obtained sufficiently. He obtained to learn to read, to write, to produce its proper text (speech), everything this or alone, or with the aid of that they loved really it. Before ‘ ‘ not only the ethnic universe was limited: the booksellers also were penalizados when they divulged sorts proibidos’ ‘ (LAJOLO, Marisa? ZILBERMAN, Regina, 2001, P. 37) had always occurred, however, the ones that write good workmanships and those that do not make it (a good example would be the Mein Kampf). Others write divinais workmanships, that also please the reading Death. In the world, it seems, it always had of these and others.

On the author, what we verify is that in general was in the hand of others, ‘ ‘ the recognition of that the author of the text is the owner of the workmanship and that this property, as any another object of value, can be transmitted it outrem has worthy consequences of nota’ ‘. (LAJOLO, Marisa? ZILBERMAN, Regina, 2001, P. the 59) poets also they had given price to its poetries, ‘ ‘ in the frank and direct exposition of the interest of the poet in gaining money, one of myths of the literary tradition occidental person, responsible rupture for the good mood and originalidade of versos’ breaks itself; ‘ (LAJOLO, Marisa? ZILBERMAN, Regina, 2001, p 79). Of this form, the ideal would be to imitate the small Liesel: to choose our readings, to read, but cautiously, because ‘ ‘ the words weigh muito’ ‘ (ZUSAK, 2007: p.368). a book, you knows, is a workmanship that can be ‘ ‘ so direful and so glorious, and to so have words and histories so cursed and brilhantes’ ‘ (ZUSAK, 2007, P.

382).